2009
12.30

Ballet West’s Nutcracker Delights Generations

Posted by Betsy Hijazi December 28, 2009

Ballet_West_Christopher_Anderson_Ryan_HatchThis season I saw Ballet West’s Nutcracker for the third year in a row.  In fact, I’ve seen it now six times in three years.  But this year it’s different.

The first year I saw the Nutcracker at the Capitol Theatre, it was the first time I’d seen the ballet and I wasn’t quite sure what to make of it.  Not really knowing much about ballet or how it all played out on stage, it was strange to me that there were dancers on stage acting out parts, but no words were spoken.

I was intrigued by the musicians in the orchestra pit and wanted to see them play the live music as much as I wanted to keep my eyes on the dancers, the story, the scenery, and the multitude of dances and costumes!

It really is a marvelous experience, attending the ballet, the symphony, or an operatic performance (I have yet to see my first opera!).  Your senses are invigorated, and your brain is working like crazy trying to absorb all of the sights and sounds, not to mention the roller coaster of emotions you experience as you assimilate it all!

If you’re lucky, and if you make the effort, a couple of times a year you get to sit in the audience in a theater and be a part of something a bit magical.

Each December, the beloved Nutcracker is performed on stages and in theaters across the globe.  Children worldwide know the story of the Nutcracker who comes to life, and I would be surprised to come across someone who was unfamiliar with the music Pyotr (Peter) Tchaikovsky wrote for his ballet 115 years ago. Ironically, Tchaikovsky apparently didn’t care much for the ballet or score, yet it is one of the most loved ballets and recognized pieces of music by children and adults alike!

Ballet_West_Christopher_Ruud_Christiana_Bennett_Ruud

I knew the music to the Nutcracker far better than I knew the Nutcracker Ballet.  Seeing the Nutcracker for the first time,  I was able to match music to dance to story and it it was glorious.  Like a good book, a ballet is understood and appreciated even more after multiple viewings, so I returned to the theater to see it again (and again)!

This year, my third season attending Ballet West’s Nutcracker, I surprised myself.  I wanted to see the ballet and write about it, but I thought I might not love it as much since I had already seen it five times prior.  On the contrary, I loved it even more!

2009 has been filled with music and art, and my appreciation for the details, the obvious as well as the not so obvious, has grown.  My senses are much more aware and I see things that others may overlook, specifically because I am looking and trying to pay great attention to everything that contributes to the whole of the ballet.

Two things specifically contributed to this being my favorite Nutcracker performance thus far. First was my familiarity with some of the dancers.  Having recently seen Christopher Sellars,Christopher RuudMichael BeardenBeau PearsonChristiana Bennett Ruud, and Romi Bepu in the Ballet West Gala and The Dream, I have been able to (mostly) identify these dancers and appreciate their artistry and diversity.

Ballet_West_Owen_GajMost memorable for me is Christopher Sellars.  He danced the role of Puck in A Midsummer Night’s Dream, part of The Dream program earlier this fall.  Sellars was so buoyant, light and humorous on the stage.  He had great expression and character, and he hooked me!

During my Nutcracker performance this season, Sellars was the Nutcracker.  What I particularly liked about Sellars portraying the Nutcracker was his youth.  Last season’s Nutcracker (dancer) was wonderful; he was handsome, mature, and had an amazing physique!

The same can be said of Sellars, except that his face is more youthful and I believe it was well matched with the youth of Clara.  Together, they seemed closer in age, Sellars more like an older brother rather than a toy come to life as a grown up. It was a nice pairing.

The second most significant cause of my joy was the music.  Yes, I have heard the music — many times over.  I’ve even heard it at the ballet.  But this year, I really heard it.  It’s likely that my newfound love for orchestral music has caused me to become more aware of the music as a whole, but my awareness combined with this beloved ballet and its music put a smile on my face that left me feeling giddy and wanting to go back and see it again!

The Nutcracker is keenly identified by its music and the Utah Chamber Orchestra performs it beautifully.  Jane Wadsworth’s flute is flawless, and Jed Moss’ Dance of the Sugar PlumFairy on the celesta is possibly the most sung tune of the entire ballet.
Ballet_West_Nutcracker_DancersEach dance is paired with artists who bring words to the stage through dance and music, and Clara and the Nutcracker are presented with a variety of cultures and their respective dances.  We see magnificent dances from Spain, Asia, Russia and Arabia as the dancers tumble, kick, leap, jump, twirl and fly across the stage.

One of the highlights of the first act was Peter Christie’s Dr. Dosselmeyer.  I haven’t seen Christie dance before, and his portrayal of our magician was nothing less than perfection.  Christie moved with grace and elegance, every motion sweeping and endless.  He was expressive with his face and with every movement, gesture, and flick of his wrist. I hope to see him in future performances!

The Nutcracker has many dances, and it is a joy to see the variety of costumes and stories told through each ballet.  Beautiful fairies and maidens float across the stage, and our imaginations take us to lands far away.  There is beauty and grace, there is strength and wisdom. And there are children sitting on the edge of their seat pointing to the beautiful Snow Queen and King as they dance into our hearts.

The artists, the dancers and musicians bring such joy to children and adults throughout the month of December, and little girls and boys take this joy home with them as they run to the merchandise tables during intermission to buy ballet slippers and their very own Nutcrackers.

December is a wonderful time to go to the ballet.  At no other time during the year will you see more children embracing the love of the ballet as they are exposed to the artistry of dance, music and the imagination of the Nutcracker.  The Nutcracker is where dreams begin, and for the parents and grandparents sitting alongside their little dreamers, it is a dream shared through generations.

For more information about Ballet West, visit www.BalletWest.org.

Ballet_West_Nutcracker_Dancers

Photos courtesy Mark Goldweber, Ballet West.

-Mark

2009
12.28

For Nutcracker 09 Ballet West continued its tradition of throwing “Sugar Plum Parties” after the matinees.  The parties are led by Julie Adams Terry Shulimson and from helpers to refreshments,  everything is donated to Ballet West. Children and their parents who attend can come on to the very stage where the dancing has taken place.  They first receive a souvenir Nutcracker for their very own and they can have cookies, candy canes and punch from a table covered with giant Nutcrackers.  Guests can have their picture taken with the Sugar Plum Fairy, her Cavaliere, the Nutcracker Prince and other characters from the Nutcracker.  They can see how dry ice works.  They can see up close a ballerina’s used pointe shoes.  There is a magic act performed by former Ballet West dancer Christopher Phair and Prop Master Cory Thorell is happy to show them the new chestnut cart, the Grandfather Clock (from the original production) and they can even take a peek underneath Mother Buffoon’s dress!  If you missed the Sugar Plum Parties this year fear not, they will take place again next year.

Bottom Row -Julie Adams Terry Shullimson with the bear, Kristen Paige Terry, the Mouse Prince.  Middle row - Victoria Lock - The Sugar Plum Fairy, Christopher Sellars - her Cavaliere, Amanda Scott Terry, Austin Terry, Clara and Aidan DeYoung - The Nutcracker Prince.

Bottom Row -The Bear (Henry Philofsky) with Julie Adams Terry Shullimson, Kristen Paige Terry, the Mouse Prince (Ryan Hatch). Upper row - Victoria Lock - The Sugar Plum Fairy, Christopher Sellars - her Cavaliere, Amanda Scott Terry, Austin Terry, Clara (Jorji Diaz) and Aidan DeYoung - The Nutcracker Prince.

-Mark

2009
12.25
Photo taken by Nicholas Scott, property of Jennifer Robinson

Photo taken by Nicholas Scott, property of Jennifer Robinson

-Mark

2009
12.24

Ballet West Principal Artists Christiana Bennett and Christopher Ruud are featured in the most recent issue of Pointe Magazine.

PointeMag_Dec09_SugarPlum1 croppedCongratulations Christiana and Christopher!

-Mark

2009
12.23

I thought it might be interesting for you to know about Cati Snarr and what she does to make the Nutcracker children so magnificent.

Cati Snarr

Cati Snarr

Mark:  Will you tell us a bit about your backround?

Cati:  I started dancing in SLC, with The Ballet West Christensen Academy. I started dancing in Ballet West’s Nutcracker when I was 10.  I studied ballet under Mr. C, Tenley Taylor, Elaine Thomas, Petrus Boseman, Denise Schultz and Louis Godfrey.  I began dancing with Ballet West when I was 15 and performed with them for 5 years under Bruce Marks and John Hart.  I left Ballet West to pursue other performing interests from 1989-2002.  I returned to Ballet West in 2002 after choreographing the Olympics and started to teach in the Education Program while doing free lance choreography. In 2003-2004 I began teaching in the BWA.

Mark:  How did you get started as Children’s Ballet Mistress for Ballet West?

Cati:  In 2004 I assisted Jane Wood Smith with the Nutcracker Kids and 2005 took over as the Children’s Ballet Mistress.  I have worked with the kids for 6 years.

Mark:  How many children are in Ballet West’s production of  The Nutcracker?

Cati:  There are 280 children in the Nutcracker divided into 4 casts of 70 children each.  We began rehearsals Sept. 14th. The kids get 11 weeks of rehearsals before the 1st cast begins performances.  Each cast rehearses 2-3 times a week. This process is assisted by Heather Thackeray and Lisa Hoyt who are experienced and talented.

Mark:  Is Children’s Ballet Mistress your only function at Ballet West?

Cati:  Besides the Nutcracker,  I also teach for Ballet West in the Education Outreach Program I CAN DO,  BW for Kids in the Schools and Ballet West Academy as well as continue to freelance when I can.

Mark:  Thanks Cati!  I think the Nutcracker children this year are the best ever!

-Mark

2009
12.20

It is with great sadness that we at Ballet West bid Georgina Parkinson adieu.  We artists of Ballet West are thankful that Artistic Director Adam Sklute brought Georgina to Salt Lake City to work with us on LES BICHES just last season.   She was a great star from the golden age of ballet and many leading choreographers created roles for her. She was most generous in sharing her artistry with us.  Georgina will be in our hearts forever and her memory will live on through our dancing.

Bronislava Nijinska with Georgina Parkinson - LES BICHES

Bronislava Nijinska with Georgina Parkinson - LES BICHES

Georgina Parkinson in Sir Kenneth MacMilan's ANASTASIA

Georgina Parkinson in Sir Kenneth MacMilan's ANASTASIA

-Mark

2009
12.18

Nutty Nutcracker 09

After several sessions of planning for this year’s NUTTY NUTCRACKER it was time to start experimenting with props.

Bruce Caldwell, Adam Sklute, Pamela Robinson Harris and Heather Thackeray
Bruce Caldwell, Adam Sklute, Pamela Robinson Harris and Heather Thackeray

-Mark

2009
12.14

For the second year in a row Ballet West Artist Jennifer Robinson has organized a coat and blanket drive for the less fortunate in Utah. I’ve copied her words to you below.

“The artists of Ballet West are hosting their second annual coat and blanket drive throughout the month of December. This year the dancers have partnered with Chevron and all donations will go to Volunteers of America’s homeless youth program. Volunteers of America classify youth as anyone under the age of 21 and estimate that on average, 300 youth are on the street every night in Utah. Approximately thirty percent of this number are actually parents themselves. The dancers are accepting new or gently used coats and blankets of any size and winter accessories such as hats, gloves, and scarves. Dancers will be available in the atrium of the Capitol Theatre for the hour before every performance of The Nutcracker to accept donations, greet patrons and sign autographs. Items can also be dropped in the large boxes in the atrium of the Capitol Theatre anytime during the day Monday through Saturday.”

Ballet West Artist Jennifer Robinson and Ballet West 2's Kaleigh Schock

Ballet West Artist Jennifer Robinson and Ballet West 2's Kaleigh Schock

-Mark

2009
12.12

This and That

Kate Crews and Jason Linsley were able to get away to do a guesting in Houston.

Kate Jason guesting

Kate Crews and Jason Linsley Guesting in Houston

And a really good pic of Beau Pearson in Spanish from the first stage rehearsal.

Beai Spanish 09

Beau Pearson with Josey Silva and Kira Smith

-Mark

2009
12.07

Utah’s Ballet West Gala 2009 Dazzles in Sixty…

Posted by Betsy Hijazi • 

Polovtsian_Dances_2009_Artists_of_Ballet_West_Photo_Ryan_Galbraith

When I think about their hours spent creating, rehearsing and preparing for Ballet West’s 2009 Gala performance, I am simply amazed that more than 130 Ballet West dancers came together to present a showcase of seven works in a mere 60 minutes.

Ballet West could easily have presented only three larger works for their 2009 Gala, but, instead, the artists took on the daunting task of selecting seven varied pieces and showed Ballet West patrons that the stage belongs to all who dream to dance, whether they are 4 years old or 40.  Ballet West not only Dares Us To Dream, it clearly encourages bringing every would-be dancer’s dream to life.

The opening program for Ballet West’s Gala was Peter Christie’s Défilé, performed by the Ballet West Academy.  Students from nine class levels, including Ballet Foundations, Elementary, Intermediate, Advanced and Trainee, came to the stage and danced according to their level of experience.  There were more than 100 students on the stage, some perhaps as young as 3 or 4 years old, up to age 20.  Group after group they came to the stage, each more experienced than the prior, and at the end they came together as a whole.

It was a lovely display of the love of dance and how little boys and girls turn into experienced and professional dancers after years of dedication to their craft.

Principal_Artist_Sara_Webb_and_Christopher_Sellars_Flames_of_Paris_Photo_Mark_GoldweberPrincipal Guest Artist Sarah Webb and Demi-Soloist Christopher Sellars danced Vasily Vainonen’s light and lively Flames of Paris Pas de Deux. I enjoyed watching Webb and Sellars dance to this French Revolution-themed duet as it was filled with smiles and leaps! I recently saw Sellars as Puck in The Dream, and I fell in love with his spirit on stage!

Where Flames of Paris was upbeat and joyful, George Balanchine’s Agon was subdued and intimate.  In the program notes, Ballet West Artistic Director Adam Sklute said, “The terse angularity of (Igor) Stravinsky’s genius score, which mixes medieval and jazz sounds paired with Balanchine’s chic neoclassical choreography, is a perfect showcase for the elusive glamour and powerful control of Principal Ballerina Christiana Bennett and Artist Beau Pearson.”

I liked Agon because it seemed more like modern dance belonging in the 60s. I felt as if I was watching an ‘artsy’ performance that spoke of strength and form.  It was ballet stripped of frills and fancy costumes.

This must be my year for Beethoven’s 7th because from Boston to Salt Lake it keeps popping up!  It was a wonderful surprise to find that Beethoven’s 4th Movement of Symphony No. 7 was the score for the world premiere of  Ballet West’s own Pamela Robinson-Harris’ O.N. Ballet West II performed O.N., and I really enjoyed seeing this symphonic work that I love so much, paired with dance.  TheUtah Chamber Orchestra, who accompanies Ballet West, performed this very spirited Beethoven movement with gusto, or Allegro con brio!

Romi_Beppu_and_Michael_Bearden_Lady_of_the_Camillias_Photo_Mark_Goldweber

The performance I most looked forward to was Val Caniparoli’s The Lady of the Camellias, Act I Pas de Deux. During this ballet, Pianist Jed Moss performedFrederic Chopin’s 2nd Movement from Piano Concerto No. 1.

Portraying Marguerite, Principal Dancer Romi Beppu dances with her true love Armand, Principal Dancer Michael Bearden. Armand, not her husband, embraces Marguerite in her boudoir, longing to be with her as she slowly begins to show signs of a terminal illness.  Bearden and Beppu portray the couple with intimacy and love and you can’t help but lose yourself in their passion.

The  Lady of the Camellias pas de deux was beautiful.  Chopin’s Piano Concerto is so pretty, light and romantic.  Beppu and Bearden were lovely and Moss’ piano performance was exquisite. The nearly 10-minute piece passed quickly, but time seemed to stand still as I closed my eyes and embraced the sublimity of the moment.

I do hope that Ballet West adds The Lady of the Camellias to an upcoming season.  I imagine there will be a lot of sighs, heartfelt smiles and tears…

George Balanchine’s Stars & Stripes Pas de Deux was danced by Soloist Katherine Lawrence and Principal Dancer Christopher Ruud. Written to music by John Philip Sousa, the ballet celebrates 4th of July marches and parades.  It’s patriotic and fun and being able to recognize the music the orchestra plays doubles the enjoyment!  I’ve seen Ruud in a few performances now and he’s wonderful!

The final program of the Gala was Michel Fokine’s Polovtsian Dances from Prince Igor.  This ballet provided me with the biggest revelation of the night in that while I had no idea whatsoever whatPolovtsian Dances was, or even how to pronounce it, as the orchestra began to play, I discovered that I immediately recognized the music!

I’m neither familiar with the opera Prince Igor nor the composer Alexander Borodin, yet some how, some where, I have heard this beautiful score, and enough times to be familiar with its melody.

This Ballet is a feast for the eyes and ears.  There are more than 30 dancers on stage for much of the performance, and it is easy to follow the story of maidens, warriors and wives! The costumes are full of vibrant colors, the women wearing flowing silks and gold.  The men’s bold patterns of red, black, orange and gold velvet are eye catching and beautiful, adding to the charm of the story.

After comparing some of the costumes with other ballets on YouTube, I found Ballet West’s choice of costumes (courtesy of Houston Ballet) impressive.  The beautiful pastels, the vibrant reds and golds, and the uncomplicated patterns create an elegance that is pleasing and not distracting.

Not to be overlooked, the Utah Chamber Orchestra sounded particularly beautiful during this Borodin piece.

Christiana_Bennett_and_Beau_Pearson_Agon_Pas_de_Deux_Photo_Mark_GoldweberThe hour long 2009 Gala was a celebration of dance and music.  It was a celebration of the Arts in a city rich with talent.  Salt Lake City is not a large city on the “big-city scale”, but it has one of the most vibrant and active Performing Arts communities I’ve seen.  I’ve attended 4 different Ballet West programs over the past 2 years (The NutcrackerMadame Butterfly with GongThe Dreamthe 2009 Gala), and each gives me a reason to come back for the next.

The “artistic talent” is far reaching, stretching from the artistic director to choreographers to set designers to orchestra conductors to musicians. A single ballet can have 30 performers on stage and 60 musicians in the pit, and they are just the faces we actually see!  To say that any given performance is a “production” truly doesn’t describe all that is involved in bringing such an event to the stage.

How lucky we are to have such dedicated artists encouraging us to “let go” and be enchanted for an evening.

To learn more about Ballet West and the 2009-2010 season performances, visit www.BalletWest.org.

Romi_Beppu_and_Michael_Bearden_Lady_of_the_Camillias_Photo_Mark_Goldweber

Sara_Webb_Flames_of_Paris_Photo_Mark_Goldweber

Christiana_Bennett_and_Beau_Pearson_Agon_Pas_de_Deux_Photo_Mark_GoldweberLindsay_Duerfeldt_Polovtsian_Dances_Photo_Mark_Goldweber
Photos courtesy of Ballet West and Mark Goldweber, Ballet West.

-Mark